Samples and Styles

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Nostalgia

In a classical style, featuring a piano, an orchestra, and a young woman holding an umbrella

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ABOUT ME

Laurențiu Gondiu is a composer, orchestrator, and educator whose work spans concert music, theatre, film, and television. Born in Moldova and a citizen of Romania, he is currently based in London — bringing a transversal perspective shaped by Eastern European musical tradition, intercultural exploration, and years spent in demanding mountain terrain that have left their mark on his sense of form, tension, and endurance.

 

His orchestral catalogue includes four symphonic poems — among them Atanos, Broken Sonata, and Simfo Doina — alongside the vocal-symphonic cycle Un fulg în soare, all performed by the National Symphony Orchestra of the ”Teleradio-Moldova” and the National Philharmonic of Moldova under conductors Gheorghe Mustea and Valentin Doni. His music has been performed by nine orchestras and ensembles across Moldova and Romania, and his works have attracted two PhD theses in musicology examining their intercultural dimensions and stylistic innovations.

 

As an educator and chamber composer, Gondiu has published two books of piano music: Eight Pieces for Piano (Cartier, 1997), part of the music school curriculum in the Republic of Moldova, and The Sea Trilogy, a more recent collection composed in London. Over 35 vocal and instrumental works were written for the Aud Band Quartet, in which he adapted the Indian esraj to the language of contemporary concert music — an instrument rarely encountered in this context — later bringing it into theatre and film scores.

 

His screen and stage credits include the films Ghinionistul (2017) and Nostalgic (2011), the television drama 17 o poveste despre destin (2008), and theatre music for the historical drama Ștefan the Great (1994). He is a member of the Composers’ Union of Romania, the Composers’ Union of the Republic of Moldova, and Mercury Musical Developments (London), and was awarded First Prize by the Composers’ Union of the Republic of Moldova in 2004.

 

His music inhabits the space where pressure and stillness meet — where uncertainty gives way to clarity, and where something essential begins to emerge.

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